Alberto Manguel on Ronald Wright's Peru, 'Cut Stones and Crossroads'

The great twelfth-century traveler Ibn al-Arabi defined the very origin of our human existence as movement. “Immobility can have no part in it,” wrote Ibn al-Arabi, “for if existence were immobile it would return to its source, which is the Void. That is why the voyaging never stops, in this world or in the hereafter.” With a malicious linguistic twist, Ibn al-Arabi confuses our endless movement through time, from cradle to grave, with a pragmatic movement through space. Certainly, even cloistered in one’s room for the whole of one’s life, one is condemned to travel through the years, hour after hour, each one wounding us, as a sundial motto has it, until the last one kills us. And yet, an opponent of Ibn al-Arabi might have argued movement from one point of this earth to another is merely a succession of moments of being still: our geography exists only in the instant in which we are there, standing on our own two feet.

This notion of travel as moving through space, but also being in one place at a time, is vividly exemplified in the travel books of Ronald Wright, Cut Stones and Crossroads and Time Among the Maya, and in the history told in Stolen Continents. For several decades now, he has diligently chronicled the ancient civilizations of Latin America, traveling through Peru and Mexico, and rooting himself in a succession of historical moments, visiting not only the present landscapes but also those long vanished, like the courageous Time Traveller imagined by H.G. Wells. Wright witnesses the past from the vantage point of the present and reports back to us.